Rock and roll
I | IV | V | IV
I, IV, V and back to IV: the three chords of rock and roll, turned into a riff that goes round and round.
The progressions of rock: rock and roll, power chord riffs, the ♭VII of classic rock, minor rock and punk. Each in numerals, so it works in any key; press Play to hear it on guitar.
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What each chord does in its key. Press a chord to hear it and read more.I | IV | V | IV
I, IV, V and back to IV: the three chords of rock and roll, turned into a riff that goes round and round.
I5 | ♭VII5 | IV5 | I5
Power chords, roots and fifths with no third, on I, ♭VII and IV: the riff shape of hard rock.
I | ♭VII | IV | I
I–♭VII–IV, each chord a fourth below the last: the anthem sound of classic rock.
i | VII | VI | VII
Rocking between the minor tonic and the major chords below it: dark and driving, from hard rock to metal.
i | III | VII | IV
A minor key with a major IV, the Dorian colour: moody, but with a lift.
I | ♭VI | ♭VII | I
Up from ♭VI through ♭VII to the tonic: the big stadium ending.
I | ♭III | IV | I
A major key with the ♭III chord borrowed from the blues scale: the swagger of blues rock.
I5 | V5 | vi5 | IV5
The four chords of pop as power chords, fast and loud: the pop-punk progression.
I | IV | I | IV
Two chords a fourth apart, back and forth: the simplest rock riff of all.
i5 | III5 | IV5 | i5
Power chords on i, ♭III and IV: a riff shape behind a great deal of hard rock.
i5 | VI5 | VII5 | i5
Power chords stepping up from ♭VI through ♭VII to the minor tonic: the climb of heavy metal.
i | VII | VI | V
Four chords stepping down to a major V, the Andalusian cadence played as a rock riff.
I | V | IV | IV
The chords of rock and roll in a different order, ending on IV: open and anthemic.
i5 | ♭II5 | i5 | ♭II5
The minor tonic and the chord a half step above it, as power chords: the dark sound of metal.
No progression matches. or search every progression ›
The I, IV and V of rock and roll, and chords borrowed from outside the major key: ♭VII, ♭VI and ♭III, from the mixolydian mode, the minor key and the blues. Played as power chords (the root and fifth only) they suit distortion, which makes full chords sound muddy.
A chord of just the root and the fifth, written with a 5, such as E5 or A5. With no third it is neither major nor minor, which is why it fits over any riff.
Choose the Overdrive sound, the Down eighths pattern, and a tempo of 120 or more. For a riff, loop a progression and play the root notes on the low strings between the chords.
More: the 12 bar blues, pop chord progressions, film chord progressions.