E–B♭
StandardThe tritone: open E and B♭
When people say “the forbidden chord” they nearly always mean the tritone, nicknamed the devil’s interval or diabolus in musica: two notes six half steps apart, such as E and B♭. Here it is to play and hear on guitar, the everyday chords it hides in, and what is true about the ban.
The tritone: open E and B♭
One fret up, a calm fifth
The flat five on a G power chord
Inside every seventh chord: G♯ and D
Two tritones in one chord
↓ · ↓ ↑ · ↑ ↓ ↑ · Down, down-up, up-down-up: the campfire strum, also called the calypso strum.
homethe pullthe door
What each chord does in its key. Press a chord to hear it and read more.V7 | I
E7 holds the tritone G♯–D. Going to A, the G♯ rises to A and the D falls to C♯: tension, then home.
I7 | IV7 | I7 | V7
Every chord of a blues is a seventh chord, so every chord holds a tritone: one reason the blues sounds restless.
Strictly it is an interval: two notes, not the three or more of a chord. The name “forbidden chord” stuck because guitarists play it as a shape, and because it sits inside chords you already know. In E7 the notes G♯ and D are a tritone apart; a diminished seventh chord holds two of them.
No law of the church ever banned it, and the stories of singers punished for it are legends. Singers in the Middle Ages did steer around F against B, because of the system of six-note scales they learned from (the clash was called mi contra fa). The Latin nickname diabolus in musica is not found in medieval writing: the first known uses are from the early 1700s, by theorists such as Andreas Werckmeister and Johann Joseph Fux.
The tritone splits the octave exactly in half: E up to B♭ is the same distance as B♭ up to E, so neither note sounds like home. Ears want it to move, and it usually does: in E7 going to A, the G♯ rises to A and the D falls to C♯. That pull is what makes a seventh chord lead so strongly to the next one.
The opening riff of Black Sabbath’s song “Black Sabbath” is built on it, and so is the start of Jimi Hendrix’s “Purple Haze”, whose Hendrix chord also holds one. It runs through Leonard Bernstein’s music for West Side Story.
The tritone: two notes six half steps apart, such as E and B♭, also called the devil’s interval. It is an interval rather than a chord, but it sits inside seventh and diminished chords.
Play the open low E string with the A string at the first fret (B♭): 01xxxx. Or put a flat five on a power chord: 34xxxx, G and D♭.
No. There is no record of any ban. Medieval singers avoided it, and the nickname diabolus in musica only appears in writing from the early 1700s.
The Latin name diabolus in musica, the devil in music, was given to it by music theorists in the 1700s, for the hard clash it makes when it is not resolved.
No. It is an online joke. C♯5 is C♯ and G♯, a perfect fifth, and nothing has ever banned it.
More chord stories: The saddest chord, The four chord song, The Picardy third, The most beautiful chord, The happiest chord, The Mario cadence, and famous chords such as the Tristan chord and the Hendrix chord. Also: the guitar chord library, the chord finder and the chords in every key.